#----------------------------------PLEASE NOTE---------------------------------# #This file is the author's own work and represents their interpretation of the # #song. You may only use this file for private study, scholarship, or research. # #------------------------------------------------------------------------------# GET UP JONAH Transcribed and tabbed by Steve Meger (sam@michaelsengineering.com) with some help from John Kean (keanj@agresearch.cri.nz). Tuning: drop D (DADGBE) Tempo: 100 bpm Chords: Dm11 0-x-(3)-0-1-0 Fadd9 3-(3)-0-0-1-x C x-3-2-0-1-x G/B x-2-0-0-3-x D5 0-x-0-2-3-x Cadd9 x-3-2-0-3-x Eb6/9 1-x-x-0-1-1 (use thumb for 6th string) Dm7 0-x-x-2-1-1 Am x-0-x-2-1-0 Em 2-x-x-0-0-0 Am7sus x-0-x-5-3-3 Em9sus 2-x-x-2-3-2 (ditto with thumb) Fingerstyle: Steady eight note drone using the thumb on the bass string of each chord. The index, middle, and ring fingers pluck chords on the other strings. Start slowly with bass drone, then add chords, and gradually pick up speed. (I'm not sure the rhythm is exactly right, I'm open to suggestions, but it seems to work:) h hammer-on p pull-off s slide example Dm11 , . , . , . , . , . , . , . , . || ----------------|----------------|| || 1-----1-----1---|----1-----1-----|| (ring finger) ||*0-----0-----0---|----0-----0----*|| (middle) ||*3-----3-----3---|----3-----3----*|| (index) ||-----------------|----------------|| || 0---0---0---0---|0---0---0---0---|| (thumb) repeat . . . Intro: Dm11 chord with improvised D minor pentatonic lead, something like: |--------------0----------------------------------------------------------| |----------1-------1--------------h-p-------------------------------------| |----------0---------------------0-2-0----0--p----------------------------| |----------3----------------------------3---3-0---0--p-------s------------| |-----------------------------------------------3---3-0--p--3/5-----------| |---------0---------------------------------------------3-0---------------| Opening and Verse tab pattern: Fadd9 C , . , . , . , . , . , . , . , . , . , . , . , . , . , . , . , . || ----------------|----------------|----------------|----------------| || ------1-----1---|----1-----1-----|1-----1-----1---|----1-----1-----| ||*------0-----0---|----0-----0-----|0-----0-----0---|----0-----0-----| ||*-h----0-----0---|----0-----0-----|2-----2-----2---|----2-----2-----| || 03--------------|----------------|3---3---3---3---|3---3---3---3---| || 03--3---3---3---|3---3---3---3---|----------------|----------------| G/B , . , . , . , . , . , . , . , . , . , . , . , . , . , . , . , . |----------------|----------------|----------------|----------------| |3-----3-----3---|----3-----------|------3-----3---|----3-----------| |0-----0-----0---|----0---------0-|------0-----0---|----0-----------| |0-----0-----0---|----0----p-h--0-|------0-----0---|----0----p-h----| |2---2---2---2---|2---2---2-0-2---|2---2---2---2---|2---2---2-0-2---| |----------------|----------------|----------------|----------------| D5 Cadd9 , . , . , . , . , . , . , . , . , . , . , . , . , . , . , . , . |-h--------------|----------------|----------------|----------------| |1-3---3-----3---|----3-----3-----|3-----3-----3---|----3-----3-----| |0-2---2-----2---|----2-----2-----|0-----0-----0---|----0-----0-----| |0-----0-----0---|----0-----0-----|2-----2-----2---|----2-----2-----| |----------------|----------------|3---3---3---3---|3---3---3---3---| |0---0---0---0---|0---0---0---0---|----------------|----------------| D5 , . , . , . , . , . , . , . , . , . , . , . , . , . , . , . , . |-h--------------|----------------|-h--------------|----------------|| |1-3---3-----3---|----------------|1-3---3-----3---|----3-----3-----|| |0-2---2-----2---|-----p----------|0-2---2-----2---|----2-----2----*|| |0-----0-----0---|----3-0--p------|0-----0-----0---|----0-----0----*|| |----------------|--------3-0---p-|----------------|----------------|| |0---0---0---0---|0-----------3---|0---0---0---0---|0---0---0---0---|| repeat Verse: Fadd9 C I woke up thinking about Turkish drummers G/B it didn't take long - I don't know much about Turkish drummers D5 but it made me think of Germany and the guy who sold me cigarettes Cadd9 who'd been in the Afghan secret police D5 who made the observation that it's hard to live then I was reminded of the proprietor of a Vietnamese restaurant in Quebec who used to be the head of the secret police in Da Nang and it occurred to me that I was thinking all this stuff to keep from thinking about something else . . . isn't that just what's secret police are all about now? somebody stands in a window watches the river roll trains rumble in the foreground with the weight of approaching dawn flames from the refinery rise broken, red and riveting and the high vault of heaven looks far away and cold Chorus: there's a Eb6/9 Dm7 , . , . , . , . , . , . , . , . , . , . , . , . , . , . , . , . |1-----1-----1---|----1-----1-----|1-----1-----1---|----1-----1-----| |1-----1-----1---|----1-----1-----|1-----1-----1---|----1-----1-----| |0-----0-----0---|----0-----0-----|2-----2-----2---|----2-----2-----| |----------------|----------------|----------------|----------------| |----------------|----------------|----------------|----------------| |1---1---1---1---|1---1---1---1---|0---0---0---0---|0---0---0---0---| howling in the factory yard there's a Eb6/9 Dm7 pounding in my head I'm Eb6/9 Dm7 swollen up with unshed tears Am Em , . , . , . , . , . , . , . , . , . , . , . , . , . , . , . , . |0-----------0---|----------------|0---------------|-----p----------| |--1---------1---|----------------|--0---------0---|----1-0---------| |------2---------|----------------|------0---------|----------0-----| |----------------|----------------|----------------|----------------| |0---0---0---0---|0---0---0---0---|----------------|----------------| |----------------|----------------|2---2---2---2---|2---2---2---2---| bloated like the D5 , . , . , . , . , . , . , . , . , . , . , . , . , . , . , . , . |-h--------------|----------------|-h--------------|----------------| |1-3---3-----3---|----3-----3-----|1-3---3-----3---|----3-----3-----| |0-2---2-----2---|----2-----2-----|0-2---2-----2---|----2-----2-----| |0-----0-----0---|----0-----0-----|0-----0-----0---|----0-----0-----| |----------------|----------------|----------------|----------------| |0---0---0---0---|0---0---0---0---|0---0---0---0---|0---0---0---0---| dead repeat chorus pattern, then verse pattern Verse: blood and ashes, time burning on the skyline dark against the stars a solitary horseman - waiting . . . Chorus: lashed to the wheel whipping into the storm get up Jonah it's your time to be born get up Jonah it's your time to be born Ending pattern: Am7sus Em9sus , . , . , . , . , . , . , . , . , . , . , . , . , . , . , . , . | 3-----------3---|----------------|2-----------2---|----------------| | --3---------3---|----------------|--3---------3---|----------------| |*------5---------|----------------|------2---------|----------------| |*----------------|----------------|----------------|----------------| | 0---0---0---0---|0---0---0---0---|----------------|----------------| | ----------------|----------------|2---2---2---2---|2---2---2---2---| _________________________________ Dm11 | 1.2.3. , . , . , . , . , . , . , . , . , . , . , . , . , . , . , . , . |0-----------0---|----------------|0-----------0---|----------------| |--1---------1---|----------------|--1---------1---|----------------| |------0---------|----------------|------0---------|---------------*| |----------------|----------------|----------------|---------------*| |----------------|----------------|----------------|----------------| |0---0---0---0---|0---0---0---0---|0---0---0---0---|0---0---0---0---| _______________ |4. Dm11 , . , . , . , |0----------(0)--|| |--1--------(1)--|| |------0----(0)--|| |-----------(3)--|| |------------0---|| |0---0---0---0---||