GUITAR TAB TO "FASCIST ARCHITECTURE" BY BRUCE COCKBURN

Submitted by Nigel Parry, cockburnproject@nigelparry.com


Disclaimer: The following tab is intended for private enjoyment and educational purposes and should not be read as an encouragement for members of the general public to play the song live. The lyrics and music of "Fascist Architecture" are the intellectual property of Bruce Cockburn and his management, and record companies, etc,. If you want to have this tab on your website, please feel free as long as it is redistributed in its entirety with this disclaimer and all notes.

CONTENTS:

Introducing this tab | Verse | Bridge | Lyrics | About the song | Endnote

INTRODUCING THIS TAB

Okay, this is a rough and ready 'start you off' tab for the song. If you want to take it further, please do, but this is the basic idea that you will recognise from the song.

There are two main musical parts to the song, the VERSE and the BRIDGE. But before that, you'll need to do a simple retune of your guitar to what is known as the drop F# tuning. All you need to do is tune down your 3rd string, or G string (more tea, vicar?) to an F#, the note you get from the 1st string, second fret of a regularly tuned guitar. Like so:

STRING    NOTE   RETUNE NOTE

   3        G        F#


VERSE

For the verse fingerpicking there are two chord shapes. The first is Em (depress second fret of both the 4th and 5th strings) and then an A variation (depress second fret of both the 3rd and 4th strings).

Playing the Em shape gives you the first half of the verse fingerpicking like so:

E--------------------
B--------------------
F#-----------0-------
D---------2-----2----
A------2-----------2-
E----0---------------

Then the A variation:

E---------------------
B---------------------
F#------------2-------
D-------2--------2----
A----0-----0--------0-
E---------------------

You'll recognise it. Listen to the song a few times to get the timing right.

BRIDGE

Then for the bridge part - "Bloody nose and burning eyes, raised in laughter to the skies" - you need to get into an Em-shaped descending series of four ringing bar chords. In other words, if you are playing an A bar chord, the tab will look like this:

E-----0--
B-----0--
F#----0--
D-----7--
A-----7--
E-----5--

Notice you are playing all the strings. This is what gets the ringing sound going and, with the intensity you should be hitting it, you'll find it gives a nice wide sound. This is also partly achieved with a chorus/flanger-type effects pedal sound.

The bass notes (i.e. what's going down on your 6th or E string) for the descending four bar chords (listen to the song for their beat and rhythm and keep the same chord shape as above for all) are:

B B                B B          A A       A
   Bloody nose and burning eyes

G# G#                    G# G#        F#
      Raised in laughter to the skies

And then return to the fingerpicking (or strumming if you like) of the VERSE part for the "Been in trouble but I'm okay" lyrics.

LYRICS

Fascist architecture of my own design
Too long been keeping my love confined
You tore me out of myself alive

Those fingers drawing out blood like sweat
While the magnificent facades crumble and burn
The billion facets of brilliant love
The billion facets of freedom turning in the light

[bridge]
Bloody nose and burning eyes
Raised in laughter to the skies

I've been in trouble but I'm okay
Been through the wringer but I'm okay
Walls are falling and I'm okay
Under the mercy and I'm okay

Gonna tell my old lady
Gonna tell my little girl
There isn't anything in the world
That can lock up my love again

ABOUT THE SONG

Fascist Architecture was written by Bruce Cockburn on 5 May 1980 in Denver, Colorado. It appears on three of his albums: Humans (1980), Waiting for a Miracle (1987), and "You Pay our Money and You Take Your Chance" (1997), the latter a live version.

To give you an idea of what the 'Bruce Cockburn on Bruce Cockburn' Project website's main focus is, as of July 1999, the Project had tracked down the following comments about this song by Cockburn:

  • 1990 - "Part of Mussolini's legacy to Italy is the style of architecture referred to here. Bombastic, exaggeratedly heroic, it mocks the humanity it purports to glorify. It is overpowering, cold and makes you think of the baby sacrificing scenes in biblical movies. Sometimes we build structures like this in our own minds..." - from "Rumours of Glory 1980-1990" (songbook), edited by Arthur McGregor, OFC Publications, Ottawa, 1990. Submitted by Rob Caldwell.

  • 1994 - "That was when my marriage broke up. And that fact broke a lot of things in me. The image 'fascist architecture' came from Italy. It was stuff that was built during Mussolini's period that was a particular style where the buildings are really larger that life and what is supposed to celebrate the greatness of humanity actually dwarfs humanity. And it makes you fell tiny and helpless next to it. And everybody hates this stuff. It seemed to me a suitable image for the things in ourselves, the structures we build that are built on false expectations or pretenses. The things we pretend to ourselves. And then when some catastrophe comes your way, like a marriage breaking up or some other thing, those things crack and you get glimpses through them, the light comes through them. It's not a comfortable thing." - from "Closer to the Light with Bruce Cockburn" by Paul Zollo, SongTalk, vol.4, issue 2, 1994. Submitted by Rob Caldwell.

    ENDNOTE

    Have fun with this tab and be sure to visit the 'Bruce Cockburn on Bruce Cockburn' Project at http://www.nigelparry.com/brucecockburn/ for lyrics, BC's comments on his songs and albums, gig news and links to other Cockburn websites. for more Bruce Cockburn guitar tablature, visit Gavin Mudd's excellent archive of tablature and chords to Bruce Cockburn songs, including links to other tab sites at http://www.netspace.net.au/~angelb/cockburn/tab/BCTab.html

    Nigel Parry, cockburnproject@nigelparry.com
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